Wind is heavier than air

Today will be a good day. It’s see the therapist day so I get to unleash my inner-thoughts and share with someone who is paid to listen. She has to hear me. It is both perplexing and a relief to have someone listen. My friends listen but they haven’t “heard” me talk about poverty and our trials for two years. They’ve listened to me talk about how we cope. How we have hope that the VA will render its decision soon (it’s been over 2.5 years since we filed) and even though common wisdom says 3-4 years, we live in the hope that we’ll be the exception, we’ll have less than 3 years of waiting.

Currently, we live on the SNAP program, on Medicare/Medicaid, on social security disability for me (only) and on a dwindling savings account from the sale of our 1972 Buick Riviera (sold on Craigslist). We are able to make 1/2 a mortgage payment and for now, that seems to molify our mortgagee. Molify, that’s a word? Or is it Mollify? two L’s, thank you spellcheck. Blogging can increase my vocabulary, it’s one reason I do it. To wake up my brain and to just blab on about useless and sometimes boring realities.

Bryson Jones is running for NC House from our district. I hope to help his campaign. There’s a candidate meet/greet tomorrow night at the Civic’s Center but unfortunately, Jane is getting her gall bladder out tomorrow so I may be at the hospital, whether they want me there or not. I mean, how can I not go there?

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The Haunting

Sometimes what I have to tell  you is so complicated that therein lies the difficulty in the telling. Where to start, what details to tell, where to end the tale?

 

Such is the story of the Wilmington  haunted house. It belongs to a friend who recently began to occupy the dwelling. The first night, drawers opened in empty rooms, lost objects appeared in plain sight on the couch and other anomalies occurred. Of course, being the little shit that I am, mocking ensued. Disbelief. My humorous outlook multiplied tenfold when the haunting entities included a goat. Yes, a goat haunting.

Someone heard a goat.

Now, I don’t know about you but it seems rather difficult, for the layman, to differentiate between a goat and say … a sheep. Both bleat rather convincingly and even a google search of representational sounds of said animals rendered me mute with confusion. I shall learn the ways of the goat, this haunting makes me more fond of the creatures. The house is in the woods, a scant dozen feet from a swamp. Also, a hundred feet from the backdoor are horses. Apparently these horses are known for their ability to murder dogs. Four dogs to be precise. Kicked to death. One can’t help but wonder if the goat fell victim to such killers and now haunts the swamp at night, bleating its terror as murder … yes … mur – dehr … as the TV would announce.

The Goat Murder would also create panic in the minds of the current owners/occupants of the house.

So, here we are, just scant 244 words into the story and we have a haunted house with objects moved and changed, followed by a murdered goat who roams the countryside, bleating its terror as it is ruthlessly stomped to death by rogue horses.

The next chapter in this sordid tale?

Ghost Hunters. Real ones. From UNC-Wilmington. Spent a night in the house. Recorded residual hauntings … but that’s the not real story, oh no not yet.

Enter the Priest who will exorcise the house. His quest to cleanse the area is hindered though. How so, you ask? I mean, they already know of the residual haunt. Well, truth be told, the Priest is cobbled by language. Does the ghost OR THE GOAT speak English? If the haunting is done by native Americans, then English will not exorcise them. The Priest must communicate with the spirits — thus the language barrier could prove onerous.

I pray the goat speaks English. What more can I hope for besides the goat being granted eternal rest once it communicates with the Priest?

This is a true story. Swear on my mother’s ghost.

Thanks for not reading. See you in the funny papers.

-me

The Dead Mule School of Southern Literature

It’s been over 20 years that we’ve been online. The Dead Mule literary journal is one of the oldest, continuously published (monthly) journals online. Something to truly be proud of in today’s internet world.

Today is a good day. We’re moving a desk from the Salvation Army to C4’s home. It’s a beautiful desk, solid wood in a 1960s clean line design. A full desk, 36″ across, not like the spindly cheap computer desks people have these days. Meaty and useable. And it cost $14. Can’t beat that with a stick. Oliver is going to help us.

We have much to be grateful for these days. Pretty weather. Good relationships with those we love and a standard of living that is doable. Despite being double-digits below the poverty line, we are able to continue on. Thanks to SNAP and social security disability, we live on $716 a month. We are able to get $200 a month from savings to make 1/2 a mortgage payment, which satisfies the mortgagee for the time being. Once the  VA approves Rob’s claim, we can make full payments, hopefully even pay off the house in a timely manner.

I honestly don’t know how it’s been done, all these years on no money. We just keep bumbling through…

This is the blog no one will read. I won’t link to it but I will redirect my assemblagist.org and .com to this blog. If anyone reads this: here’s the intent: to try to describe 1) how I got off opioids after about five years on them 2) how we are able to live on such a small amount of money 3) how to be self-aware.

When I decided to cease taking oxycontin, it meant more than just simply stopping a certain drug. I think almost everyone knows that oxy cessation causes physical and mental reactions, all of them devastating and difficult. There were many reasons I stopped Oxy.

Small town, big conversations. I simply didn’t want to be known as a person with Oxycontin in my house.

I knew my neural pathways were damaged by the six years of oxycontin use. Remember my disclaimer: I was under a pain clinic’s care, took only the prescribed dose and went to my monthly appointments to secure pain medications. More than Oxycontin, my doctor’s care included steroid injections as well as general physical care (almost to a GP level). Pain clinics, legitimate ones like the one I went to, have to take the whole of the patient, it can’t just be pain management.

Chronic Pain is its own disease.

Now I have to train an internal medicine professional all about my pain levels. She doesn’t know me from Adam (who could be my neighbor, small town lol). Each visit requires me to run down, for her, what is going on with me. She only sees page one of my symptoms and illnesses, the minor irritations I’ve mentioned over the last year.

The fibromyalgia and the herniated C3-C7 disks are on page seven or eight.

I want to scream at her to read my MRI results from last year’s scan. Or read the CT scan of my neck. But they’re so far into the encyclopedia that is ME that she’ll rarely get past page 4 or 5, let alone page 104-105.

I’m through with oxycontin. I’m so over Vicodin, no more opioids in this body. I’m learning to cope with minor drugs like Tramadol, I’m still taking my Lyrica and at the new drug is Abilify — to deal with the flip side of a bi-polar moment. Or as we bi-polar people say: the creativity during a manic phase is welcome more oftentimes than not but the onslaught of crippling bi-polar depression can certainly go straight to hell.

Bi-Polar Depression grabs sanity in a physical as well as mental way.

Depression. Fighting it hard these days. Makes me paranoid, makes my self-esteem plummet, makes me distrust those who profess to love or care about me.

Thanks for not reading, as usual — I’ll see you in the funny papers.

-me

If you’re here, well, then welcome to you. You’re reading my inner-most thoughts, unless of course you’re wading your way through Professor Nemo’s hermeticism lecture and if you’re doing that, good on you.

Goldfinch Lasting Ever Mostly

American Goldfinch in front yard, eating miniature crabapples. A sure sign of winter. No photo op for it, too quick in its get-away. Got used to not blogging, trying to get back into the habit of it.

Reaching into year 3 of waiting for VA compensation. Our case is a slam dunk but there are only 59 judges serving the entire US, basically one for each state and being in NC with a strong military presence means we wait in a very long line. We’ve heard the IU claim was accepted but don’t have the paperwork yet so we remain skeptical. This is also the beginning of year 3 for Social Security Disability for spousal unit. Long waits… don’t let anyone tell you the road is easy. We have great attorneys, thank God.

Grandkids grew up in a slam of a minute. Went from zero to teenager while I was busy making brownies and weeding the garden. Like how fast it goes from spring to summer in NC.

Waiting for the old man to come over so I can print a “return” label for something he ordered from Amazon. He buys things impulsively, unthinkingly, and then returns them when his card gets near its limit. He’s in love with Publix grocery store and has to go once a week. We’re supposed to go on Monday to get a certain bottle of wine for Jane for Christmas. No real reason … not really … he just has to buy something.

MRI showed brain atrophy. He won’t accept his thinking prowess is diminished, he thinks there’s medicine for whatever is going on. He’s supposed to pick up a prescription, I’ve got to find out what it is. It’s only $29 a month but he’s balking at that, says all his scripts are $4 at Walmart so he doesn’t want to buy anything costing more than that.

It’s quite a world. Surrounded by happy people on one side and miserable people on the other. On a scale, happy would outweigh miserable.

Going into holidays with no funds for gifts so we’ll go shopping in the house. Last year’s gifts are gathering dust in one house, hanging on the wall in another. Boys don’t understand no gifts, this will be their first year of nothing. Interesting… they spend their weekends here, that’s a year long gift that they should be old enough to comprehend.

enough for now, just wanted to post something, will continue to blog for the no person reading blog that this is.

FLUXUS

Fluxus Links

From 2006, so old, so many of these links won’t work. I think there was an update around 2010 — so read this and take heed. I was once a big Fluxus aficionado and I can no longer claim such a title. Good luck to all Fluxus folk. *3/12/2018

Have taken on new moniker :: Fluxs.us because … well, it’s a nice looking word.

Many of you out there on this great planet of ours ask:

What is Fluxus?

What is Fluxyou? What is, for that matter, Fluxthem? What does it all mean?
The answer, according to Mr. Natural, is “It’s about this big and it’s about this tall and it’s about this art I’m talking about.”

A definitional direction to pursue if one wishes to broaden one’s Fluxs.us understanding:
Fluxus began in the 1950s, some argue the 1960s. Fluxus began in Germany. Others argue its routes lie somewhere in NY. A global undercurrent driven by ambiguous minds, many of which were housed somewhere in the Syracuse NY vicinity. When researching this “movement”, direct your activities toward all sources in the US and abroad.
(or abroad and the UK, or abroad and Belgium, or abroad and Germany… get the idea? Fluxus International = Not Confined to a specific Geographic Location)

Here’s what this Assemblagist learned over the past decade of Fluxus study and implementation: Original Fluxus Artists protested Art’s Intricate Inclusion Requirements, sort of like Groucho Marx and his I don’t care to belong to a club that accepts people like me as members. One of the most fascinating aspects of Modern Day Fluxus lies in the consistent dialog and debate over Fluxus Death or Fluxus Now. I leave it to my readers to find the arguments online but *pssssst* look on Facebook. It seems everyone within and without the Fluxus Community of 2010 contributes to the argument. Read more on the Digital Salon (see link accompanying Cecil’s quote)

I developed my own definition for Fluxus much as did I for Mail Art. Coming into this Flux’d scene as an Outsider — as a Writer and not an Artist by trade, my viewpoint bears no historical prejudicial aspects. Simply put – I liked the word itself. FLUXUS. Say it outloud. “Flux” or “Fluxus” or Flux Me”

My beginning Mail Art definition, though, quickly became nonsensical and irrelevant due to many circumstances, the least of which was that I believed Mail Art to be Art Constructed From Mail. Not, as it truly is, Mail Constructed As ART.

Now links to all these items: Fluxus, FluxMass, Is Fluxus Dead?, IUOMA, Digital Mail Art, FluxList and more can be found via Google. I recommend you become an avid researcher of the topics, accepting not ONE singular definition of the Movements but instead, forming your own circular construct of what all Fluxus ideas mean:
1. an  Art Movement,
2. a Response to Cultural Mores of the Day,
3. as Participatory Art (Happenings, true, but also how the viewing of a FluxBox or whathaveyou requires a dialog between the piece AND the viewer), and
4. the European Fluxus Movement and its influence on the US Fluxus Movement and VICE VERSA. Best to understand the significance of both the Fluxus of Yesterday and the New New Fluxus of Now and the continuous drama and debate revolving around both categories.

One often takes sides, calling out the other. Is Fluxus Dead as a question or Fluxus Is Dead as a declaratory sentence. Immerse yourself in the debate of whether Collections of Art define the Existence or Death of a Movement. Consider if the SALE of a piece of FLUXUS is fundamentally wrong, does the sale of something negate its worth as an Artistic Cultural Comment when Fluxus involves its pretty self into the argument.

George Maciunas

New quote from Cecil Touchon on Digital Salon:

Conclusion: I think today we need to understand how this attempt at anti-collect-ability was something of a failure and to then rethink how to approach art and capitalism in less of an adversarial way. Maybe even accept and embrace it. Then mess with it! I think it best not to work against things when instead we can work with them.

Cecil Touchon

These Fluxus Links begin the project of
Flux Documentation online
and will continue indefinitely.
Suggest a link.

macewan @ assemblagist.com

http://www.artnotart.com/fluxus/kfriedman-fourtyyears.html

An early version of the following was first published in 1989 in as “Fluxus and Company” (published by Emily Harvey Gallery) and later appeared in 1998 in The Fluxus Reader. A Spanish version was recently published in Fluxus y Fluxfilms,1962-2002 (published by Museo Nacional Centro de Arte Reina Sofia). click on above link to read it all.

…The computer-generated images presented today as computer art or the fractal images of chaos studies are simplistic presentations of an idea. They are laboratory exercises or displays of technical virtuosity, designed to test and demonstrate the media and the technology. They are the intellectual and artistic equivalent of the paint samples that interior designers use to plan out larger projects. They may be interesting and useful in some way, but only people shopping for paint find them relevant.

In contrast, Fluxus suggested approaches that are simple rather than simplistic.

The level of complexity in any given work was determined by philosophical paradigms and not by available technology. This is an important difference a technological age…

–Ken FriedmanPost-Dogmatism

Ben Vautier

FluxMuseum call for work

FluxMuseum website, A Wing of the Ontological Museum

The Fluxus Portal

Cecil Touchon

The Collage Museum

“…Therefore,… the conception of the Avant Garde
is discarded as a general movement forward toward
a utopian external and is reoriented to a general movement inward…”
from “Avant Garde?” as seen in the Post-Dogmatist Quarterly

Doug Tanoury – but his link is no longer valid. Tanoury was in the Dead Mule at one time, if I remember correctly. Anyone know where he is and why?

Critical Snips – read more… it’s full of stuff like: Each person’s crap-detector is embedded in their value system; if you want to teach the art of crap-detecting, you must help students become aware of their values. After all, Vice President, Spiro Agnew, or his writers, know as much about semantics as anyone in this room. What he is lacking has very little to do with technique, and almost everything to do with values.

Failbetter linkage – a most enjoyable place where once we visited. I remember you well.

Allan Bukoff – a fluxus resource on PhD level

Failbetter Now

Naim June Paik – He makes technology ridiculous. He is “the father of video art” — really he is.

No Fluxus Linkage Listing would be complete without Yoko Ono.

Willem de Ridder – The Netherlands creates great flux. His Fluxus Slideshow.

Massurealism – “Massurrealism is the marriage of mass media subjects and techniques to the surreal, which are individually expressed by each artist.”

*ahhhhh, quiz here – who coined the term “mosaic mesh”?

Neil Postman, a vsionary: “…goes further than other critics in demonstrating that television represents a hostile attack on literate culture.”  Objective of teaching should be: to “…distinguish useful talk from bullshit”

One Response to Fluxus Links

  1. Doug Tanoury is alive and well and you can read his work at:
    http://home.comcast.net/~ryoung210/ or http://home.comcast.net/~dtanoury1/Tanoury.html

    You can contact him at: dtanoury@gmail.com

Professor Nemo AGAIN

Original Online Version:

Coastal NC’s resident scholar answers questions. We’ve revised his comments and herewith, please find the new and improved Professor Nemo’s discussion on Hermeticism and more…

 

THE TRUE DA VINCI CODE – THE MISSING PIECES OF LEONARDO’S PUZZLE POINT TO PLAIN AND SIMPLE HERMETICISM

Q: Why did Leonardo da Vinci depict the Apostle John in his The Last Supper as female? Is Dan Brown right in suggesting in The DaVinci Code that it represents a wifely Mary Magdalene?…And why do we see so many of Leonardo’s art figures pointing up?

A: The figure that Leonardo da Vinci depicts in his Last Supper is neither John the Apostle norMary Magdalene, but a typical andro-gyne representation of a mysterious character revered for eons and fully conceptualized long before Mary Magdalene ever drew breath… We simply need to take a take a closer look at that same secret Hermetic Tradition that has gotten so much attention recently from this very controversy. It is largely ignored or only poorly understood today although it pervades our culture through and through. It can, however, quickly and easily explain Leonardo’s substitution.

Q: Why would Leonardo want to substitute a totally different character?

A: Many in the Renaissance movement loved science, sought knowledge and were repelled by the corrupt, luxurious, ignorant and highly inquisitorial churchmen of their day. The hermeticist dreams nostalgically of a mythic golden age of peace, wisdom and technological wonders, in a lost ancient past. It might be called Atlantis, Lemuria, Shamballa, or just the Golden Age. The movement has always been shrouded in secrecy and has used coded symbols when necessary to protest against hostile powers that be.

Q:  But didn’t working for the Church represent Leonardo’s livelihood and pay his bills?

A:  Yes, but like other great artists, Leonardo worked at servant status, and had to put up with plenty of B.S. from a boss that he did not respect and delighted in bearding with hidden jabs.

Q:  How did he do that without being found out?

A:  He used code in his art that only like-minded hermeticists would recognize, and he’s gotten away with it for centuries!  That same feminine angel so sharply counterpoised in a V shape as if in protest against the figure of Jesus in The Last Supper can be seen elsewhere as well. Look carefully at St. Anne in Leonardo’s sketch (cartoon) for St. Anne with the Virgin and Child and the Infant St. John. (Very few reproductions do it justice)……She has a startling face, and a very knowing almost wicked smile. This is his best, most detailed, and least “restored” representation of the true inner nature of the hermetic angel, and it would be truly astounding in oils…Contrast her face with the profound innocence depicted in the same sketch on the face of her daughter, the Virgin Mary….St. Anne also resembles Leonardo’s own facial proportions and , oh yes….like certain other figures in Renaissance art,  St. Anne points upwards!…and most provocatively at that!

Q:  So?

A:  As with da Vinci’s John the Baptist, another figure sometimes blurred into the hermetic angel….and check out The Last Supper itself…pointing upward is code for the great and universal hermetic motto: “ As above, so below”…..Raphael has the whole phrase depicted in the very center of his The School of Athens where Plato (painted with Leonardo’s face) points up and Aristotle gestures down. This has always been explained as a philosophical statement contrasting their viewpoints… but it’s also a really neat way to emblazon the hermetic motto on a Vatican wall!…and with the correct attribution as well!

Q:  Is there any proof that links these Renaissance figures pointing upward with the hermetic tradition?

A:  Just take a look at Giovanni da Bologna’s bronze of the Roman god Mercury….if you don’t have an art history handy you might remember seeing him as a table decoration in your favorite Italian restaurant….or as the mascot of your local florist. He holds the caduceus, that mysterious serpent  (or serpents) on a stick that has always represented healing. Moses made one and healed with it …Don’t look at me that way… it’s in Numbers. 21: 8-9…Now, tell me, what do you notice about the statue of Mercury?

Q:  He’s pointing to the sky…but what’s so special about the Roman god Mercury?

A: Mercury to the Romans was the same god as Hermes in the older Greek mythology. This topic is vast and can’t be summarized in just a few words, but the effects on world culture from early times until today are well documented and deserve more attention than they get. One practical outcome is the modern science of chemistry following the work of generations of alchemists. Culturally they enriched several languages with Arabic word-forms such as alkali, alcohol, and even alchemy itself. Their distinctive red, white, and blue color scheme symbolized stages in the death and rebirth mystery that they read into the “chemical marriage” of various elements such as mercury and sulfur into a succession of compounds with predictable colors.

Q:  Chemistry…O.K….but how do we get into da Vinci’s art?

A: During the darkest part of the medieval period, Arab scholars were preserving and elaborating upon ancient classical texts of all kinds. Science reentered Christendom as philosophia…literally, the love of wisdom, and as you can see from the chemistry example, it was very different from the mechanistic science of today. From the Middle Ages until the French Revolution, all who dabbled in science dabbled perforce in hermetic mysticism as well. Hence it is easy to include the great early scientists among the brotherhood regardless of their true beliefs. Hermeticism as an intellectual movement hit the Renaissance early on and like a ton of bricks. In poetic terms, I suppose Hermes was the angel of the rebirth of classicism and the dawn of science. However, this updated Hermes was an enhanced version of the familiar messenger of the gods….He had morphed into the occult superstar, Hermes Trismegistus  (or the thrice greatest, since he knew the magic of numbers…of the stars…and of medicine). He was a fusion of the old Greek Hermes with his ancient Egyptian counterpart Toth. He had also gained an adversarial relationship with the God of the Bible through the influence of Gnosticism, an early Christian heresy with…. guess what?….”secret knowledge”… and his cult had absorbed the mysticism and numerology of the Jewish Kabbalah. Among Renaissance occultists Hermes Trismegistus was believed to have been a contemporary of Moses….So you see,.Hermes3 was truly a god for all seasons, and now in the Christian era, his relationship with Jehovah resembled that of the Titan Prometheus with the Olympian Zeus…..You will recall that Prometheus stole fire from Zeus to give to man…..Melville’s Captain Ahab was an archetypal hermetic protagonist with significant Zoroastrian symbolism cleverly woven throughout the story. Ahab, named for a wicked and idolatrous king of Israel, was consumed with resentment for the unstoppable majesty of his lofty adversary Moby Dick, the great white whale….and Melville knew exactly what he was trying to say…. You heard some of Ahab’s shrillest lines in Star Trek: The Wrath of Kahn.

Q:  Literary appreciation?….let’s move on…but I did see Prometheus at Rockefeller Center when I visited New York City last year.

 

A:  Yes.. That’s Prometheus at the famous landmark skating rink. How appropriate for the Fire Bringer to sprawl before the mighty RCA Building, a beacon of the dawn of electronic communications technology. There would be no modern technology without the gift of fire that enabled our ancestors to smelt metals. To hermeticists, fire can represent “enlightenment” of all kinds, including Sophia, that all encompassing Greek personification of knowledge and wisdom. Hermetic style benefactors are always very clever and knowledgeable, moderns would probably count them as humanists who proffer illumination and technology to gain influence….During the Italian Renaissance, men like da Vinci sensed in their bones that narrow minded medievalism could not compare with the ages that left those lovely Roman ruins. Such men yearned to emulate their own revered pagan ancestral tradition, and Hermeticism has always represented, as it does to this day, the enduring embodiment of man’s primordial religious impulse with its quest for power over nature and self, through mystic rites, secret knowledge, and magic.

Q:  Professor Nemo seems to be getting back on track…is there more?

 

A:  Indeed… The Renaissance fell in love with ancient pagan culture in its quest for knowledge, and that…my friend…was a big no-no!…They took out their peevishness by sneaking messages even into religious art through symbols and figures that were stalking horses for their hero. But don’t look for this in their writings or discourses…it would have been playing with fire, literally…inviting an appointment to be burnt alive at the stake. That’s exactly what happened to the scientist, philosopher, and slightly careless hermetic luminary Giordano Bruno.

 

Q:  But why the substitution of feminine figures for characters who were clearly understood to be men?

 

A:  Hermes is more than just a hero, he is immortal, angelic in nature and distinctly gender bending,…as is his son Hermaphroditus, whose dual nature may have blended back as an additional halo effect that might appeal to the artistic imagination….Angels are often depicted as beautiful women…among these, let’s not leave out the divinely feminine Sophia, Hermes’ Gnostic alter ego. Hermes is also the cosmic jokester, the Till Eulenspeigel of the gods…full of tricks and hoaxes. So Hermes can quite appropriately appear as an almost male John the Baptist…the subject of another branch of the cult…pointing upward, as I mentioned, in da Vinci’s representation…..or as a more or less feminine arcangel which was pretty safe to portray, or as any other man or woman such as  St. Anne…. or as the stealth intrusion of a feminine Hermes in place of  John the Apostle… seated most importantly at the right hand of Jesus in The Last Supper, and lunging away so very pointedly and uncharacteristically of John… like a similarly charged object in an electric field!…and by the way that whole painting is an electric field!…and a mine field of messages…Among these, the feminization of John in itself plus his body language provide the clue that another hermeticist would quickly spot and understand…Can you also see an extremely awkward sign of the conflict between this Hermetic angel and the Church?….And to think that legions of art teachers have extolled the “perfect” design of arguably the most hacked up true masterpiece ever created…Ah, the genius of Leonardo!….While we’re on the gender thing let’s also check out Donatello’s bronze David, it’s simply a much more feminine form of the same speedy delivery florist guy we just saw. And remember, there is not the slightest need for transparency or consistency in any of this because it’s all a big fat secret, and a sneering joke as well….get it?

 

Q:  Yes, I see where you’ve been trying to go…It’s a case of I know something you don’t know… Now clear up this motto business, “As above, so below”…What does it mean?

 

A:  Frankly…Professor Nemo doesn’t have a clue. The motto is purposely cryptic of course…but I think it means whatever you want it to. The Prof. is not a hermeticist, but just reporting in a …you know… fair and balanced way.

 

Q:  Aw come on….don’t leave us here…What do you think it means?

 

A:  Well…It certainly sounds like “Thy will be done on earth as it is in Heaven” doesn’t it?…But then again it could mean… everything they have up there we should have down here as well… or perhaps it means with enough “enlightenment” we could make our own Heaven….Come to think of it, that interpretation sounds a lot like John Lennon’s Imagine…it’s certainly an anthem for his personal vision of a purely man-made utopia.

 

Q:  It sound as if there are many Hermeticisms….do they at least share a similar origin?

 

A:  Hard to tell. Perhaps the various manifestations of the daring benefactor had their debut as the deification of some early hero, perhaps the legendary Nimrod, Noah’s great grandson. According to plenty of tradition, Nimrod founded human civilization in the

area that was to become Babylon. He might have been seen as the one who inspired those who built the tower of Babel, perhaps in the imagination of his day to storm the heavens.

Pagan cultures seem to turn all their old heroes into gods, then divide them into more gods and even recombine them into new gods. I think one day someone will discover that

the root of Babylonian paganism influenced a truly amazing number of  the world’s prehistoric religions. That’s why the sun-god Bel, traceable back to the Sumerian era, was also worshipped by the ancient Irish on May Day at the Beltane (Bel’s fire). Similarly, there is no shortage of Hermes clones among the ancient mythologies, they pop up in the strangest places. But don’t ask serious historians how this happened; they detest blurry edges…By the way the obelisk is a symbol for Hermes which evolved from far less subtle phallic boundary stones. He’d be pleased to see himself and his estimable prowess honored in so many truly grand locations!

 

Q:  I’m still looking for a way to pull this together…can you tie it up neatly?

 

A:  As I mentioned before, these gods are all associated with fire or light, which may have a metaphoric association with knowledge or illuminating wisdom, including all areas of science and technology which were magical arts. Like Sophia, the god of Gnosticism, Hermes is an andro-gyne….in fact, there is so much overlap between the two movements that we might as well consider them inseparable. One Hermes or another appears at various crossroads of ancient history like the mysterious brain boosting Black Slab in Stanley Kubrick’s movie 2001…always heralding a new era of awareness. They also seem to have a particular interest in intervening in the fortunes of men…Among such we certainly must include the Angel of Light who morphed into the Serpent of Genesis. Moses is credited with writing Genesis…and as a prince of Egypt would have certainly been an adept of the hermetic mystery schools of his day…The Serpent offered

unauthorized knowledge to Eve, and the result may represent a biblical judgment on the hermetic tradition as a whole….After all, knowledge often comes at a price. Adam and Eve appear to have found that out. Most today would probably agree that we’d be better off knowing nothing of atomic bombs, or even those hollow snacks we eat out of cellophane wrappers.

 

Q:  Wait a minute….let’s back up….Are you trying to tell me that Leonardo was a Devil worshipper!?

 

A:  I have no reason to believe that he was. Being frustrated at religion’s failings is not the same as rejecting God, although we all know people who have had bad experiences with religion and end up blaming God for the failings of man. Devil worshippers such as

some modern Satanists admire evil. Hermeticists on the other hand revere a bringer of knowledge and try to discover hidden wisdom. They seek to prosper and make things

generally better while perfecting themselves in the process by overcoming wickedness and ignorance. They often worship God as well, simply mixing in a bit of occultism with it and not seeing any contradiction. Hermeticisms today are heirs to many ancient initiatic cults and mysteries, but are often so low profile or diluted that you might live your whole

life associated with one without understanding anything about its origins or secret doctrines…To traditional Christians they might appear naively deceived as were Adam

and Eve. I’m forced to jump in and out of matters of faith here but it’s the patterns behind the whole story that I’m trying to get at in the most familiar terms at hand.

 

Q: How does the secret Templar cult get into all of this?

 

A:  The historically well-known but shadowy Templar cult referenced in The DaVinci Code is hermetic through and through, and in all its forms, whether old or freshly

minted. It’s another outfit with…here we go again… big secrets. However, the notion that these knights unearthed proof of Mary Magdalene’s purportedly “holy blood” offspring founding the family that eventually became the long haired Merovingian dynasty is quite a stretch….yet it’s exactly what cult proponents throughout the last two thousand years would have done just about anything to be able to put across. It’s also what the DaVinci Code movement is really all about today. This controversy itself, has opened a fresh chapter in the movement. It should hence probably be called neo-Hermeticism, or new millennium Gnosticism or something like that…..Incidentally, it really boosts the notion that a fabulous world leader with amazing powers…perhaps a bit like Neo, the chosen one of The Matrix… might arise from the royal blood of Europe, claiming to be from Jesse through King David and Jesus…an impressive set of credentials to be sure! But wait a minute…might he not be another impostor like one of Leonardo’s mercurial changelings? If the pattern holds, he would claim to be from the king producing Tribe of Judah while more likely being descended from the irretrievably lost Tribe of Dan…if we take some hints from biblical clues, as do some prophetically minded and literalist Christian opponents of the Mary Magdalene “holy” bloodline.

 

Q:  You’re beginning to lose me again….Can you throw me a rope here?

A:  Sorry…too large and fuzzy a topic to squeeze in. However, it may have happened once before…as before, so again!…Oh well.. This is going to be a fast and wild ride…Are you ready? The false apostle Judah Ish (man) Kerioth (from Kirjath Jearim) was apparently born in the one town in Judah that the Tribe of Dan was permitted to camp behind on their way north to their new home at the top of Israel and subsequently out of the Promised Land altogether. It is tempting to speculate that Judas Iscariot may have represented a wild oat y-chromosome going back through Dan and sown there generations before. Samson is the great hero from the Tribe of Dan, which never forgot

about the magical power of unshorn hair, or about  Samson’s  Riddle of the Bees, even after they forgot about the God of their fathers. Jacob referred prophetically to his son Dan as a “serpent by the way”.

 

Q: Is that as ominous as it sounds?

 

A: Possibly…but there’s also a less obvious additional understanding of this term as a bringer of knowledge who is “wise as serpents”…in other words, a potential culture builder. Dan’s progeny disappear even in Old Testament times, and just try to find a

single Dannite among the 144 thousand person tribal restoration mentioned in the Book of Revelation. Some believe that the idolatrous, and sea faring Tribe of Dan, which

blended into the Phoenicians, and liked to name places after their illustrious forefather, gradually proceeded across the DarDANnelles to the DANube, proliferating and

spreading along the ancient routes of Europe. Remember that before organized farming the relatively sparse populations of Europe were largely scattered bands, often roaming about in search of food, and subject to various depopulating hazards. Merchants and

traders must have had an edge, even with dangerous peoples. Think of the great explorers like Captain James Cook. The Dannites would have been wealthy, sophisticated, and battle hardened. They could have mingled with and eventually dominated other cultures, perhaps as the Normans did much later in Britain. Tantalizing snippets of history also seem to link the sons of Dan with the Spartans, who as warriors often did not cut their well coiffed hair or their beards and apparently claimed descent from Abraham. Dannites are also reputed to have founded some royal dynasties in Europe and the British Isles…

Q: Your right about one thing…this is pretty fuzzy stuff…Are you going somewhere with all this?

A: Just waiting for you to ask!…Those who subscribe to the DaVinci Code premise may claim that the Merovingians, who did not cut their hair were holy Nazarites, i.e. strictly

consecrated Jews, a hilariously hermetic-style canard for these self-proclaimed sons of Odin who had to be coaxed toward monotheism…Nevertheless, a quite respectable medieval scholarly tradition links Odin, or WoDAN with important flesh and blood refugees from the region of Troy (as in Timeo DANaos et dona ferentes. I fear the Greeks [i.e. the Danaen Spartans] even when they bring gifts). These travelers from the east…from the region of Troy, which is now part of Turkey, became the Aesir gods of Norse Mythology i.e. those from Asia. They included the fatherly warrior Odin, also known as the full bearded World Wanderer, and another curious import as well, a charmingly familiar, shape changing trickster, the fire god, Loki…So, were the Merovingian kings, one of whom was named Samson, simply into grunge, or perhaps emulating, by long clouded tradition, the one great, if seriously flawed, cult hero of their irrepressible, culture building forefathers, the hirsute Samson himself, a true Nazarite and a son O’Dan, whose representatives had been formidable and had come from the sea…. Did cultural memories of the heroic Samson of the lost Hebrew Tribe of Dan inspire the Spartans of the Peloponnesus? Might Samson also have been memorialized as the mythic

Dardanus of the Trojans… hence proceeding on to other glories, and ultimately to Valhalla?… As you can see, it’s possible, if you favor this explanation, to think of the Trojan War as a Dannite family feud! What we know for sure is that the Hebrew and Greek alphabets certainly do match up beautifully, although historians do their best to make it sound insignificant…. Now there’s a counterpoint to the DaVinci Code that’s just about as radical…but please remember, the hypothetical Dannite lineage for the Merovingian kings, which I’ve barely touched upon here, is only intended to offer one alternative to the even more tenuous Merovingian “holy blood” claim, somehow involving an amorous gill breather!…and to show how easy it is to weave a great story from very few facts…So, let’s leave the delightful realm of speculation and return to the totally historical Hermes cult of the Italian Renaissance!

 

Q:  My head is spinning!…I’m sorry I asked….. I was happier at the beginning when I thought you were going to talk about expensive handbags …Just tell me about the Big

Secret…Did this cryptic Hermes crowd know anything that we don’t… and let’s cut to the chase?

 

A:  Science has far surpassed all the secret technologies despite the stuff you hear on all night radio. The Hermetic Tradition is obsolete in the sense of true knowledge or unknown wisdom, but it gave inquiry quite a boost. It still influences various spiritual movements and has greatly influenced world culture. Hermetic cults have always told their initiates that there’s a big secret awaiting them, but they keep the initiate toiling so long to be worthy that they never really have to deliver. If the big secret, as I suspect, is that hermetics are not exactly on board with traditional Judaic or Judeo-Christian beliefs…I think this has been no secret for quite some time…Nor is it any secret that Hermeticism has been able to attract many of the most brilliant minds…like that of Leonardo. Minds which can think inductively, intuitively, creatively. Such minds have danced circles around their plodding adversaries throughout the past…and appear to be doing just fine today. It’s so much easier to consign brilliant radical thinkers to the flames than to mount an intelligent response when you can’t quite seem to connect the dots…..But if you look a little closer at this present tidy plot, a child of six ..as they say… can see that every element of  the DaVinci Code premise has a profound hermetic linkup, from coded Renaissance art, to the Templar cult, to the Gnostic writings and the various legends they may have spawned. If we are observant, the hidden Hermes unmasks himself behind every episode just like the furtive mastermind who appears as Dr. Miracle in Offenbach’s opera, The Tales of Hoffman.

 

Q:  Does that make The DaVinci Code a bad story?

 

A:  No!.. it’s great  for the story just questionable for the premise. When all elements in a belief arise out of the same stew…so to speak…we may suspect a certain conspiratorial circularity, perhaps with Hermes somewhere in the details!…The revelations that one generation of believers discovers may have been planted for them by their predecessors.

For example, early French Gnostics feeling the way they did about traditional Christianity and venerating Mary Magdalene might easily have claimed that her child, real or invented, was “special” and had been amongst them. This will always remain a matter of belief since it is beyond proof either way. There is also a claim that Joseph of Arimathea brought the Holy Grail to the British Isles, only there it was a cup. In fact, we

have a surplus of grail contenders, although it’s obvious that the French label is the one that stuck. There were also enough pieces of the True Cross for sale in the Middle Ages to rebuild Noah’s Ark. There is even a current hypothesis that the famous Shroud of

Turin was an early photography experiment by, and possibly even a self portrait of …guess who….our old friend Leonardo. Did we mention that he knew something about chemistry….including light sensitive compounds of silver….fascinating!

 

Q:  Why do I get the feeling that Professor Nemo is not quite ready to join in the stampede?

 

A:  Simply because at this distance the proof that a Mary Magdalene holy bloodline must turn upon can never be produced outside of direct testimony from Jesus, and is not even a

part of the larger context. If the early Church did indeed downplay the well evidenced importance of Mary Magdalene to the Christian movement… or even if it revised the Jewish cultural norm of Jesus possibly being a married person, this may well have been a

desperate attempt to counter the Gnostic influences of the time. If so, it’s all part of that same turbid stew…To whatever extent the early Gnostics were hermetic they would have been looking for alternate spiritual figures and incorporating them into their spiritual

writings. Later, similarly minded Gnostic groups would have a ready-made “secret gospel truth” to show their recruits during the Renaissance…There have been as many wildly differing ancient religious accounts as there were biases, and conspiracy theories raged in the past just as they do today. We tend to forget that ancient does not necessarily mean true, and that there is no view without point of view….The human hunger for spiritual power and fulfillment is truly boundless, and has always provided a good livelihood for those inclined to take advantage of it…Most importantly, the promise of  “secret proof” in matters of faith is, logically speaking, an inanity and the stuff of hoaxes, since faith and proof are contradictory concepts. It would be like jumping into a swimming pool blindfolded, simply because someone tells you that it has been filled with water…But isn’t that exactly what mystery cults are really all about?…. You can also be quite sure that any secret text in France that promoted Gnosticism would have surfaced in the wake of the fierce anticlericalism of the French Revolution…The most compelling evidence we have at hand is that of Jesus’ own sayings from all available sources. Nothing anywhere indicates a desire or anticipation of founding an hereditary dynasty, even though all accounts, including the Gnostic ones, were written well after Jesus’ death…. This is critical because the whole biblical tradition is based on the foretelling of all major events, and Jesus referenced prior messianic prophecies continually.

 

Q:  So…is that it?

 

A:  It is for me. I’ve made sure to leave plenty of loose ends for you to check out on your own so you can see for yourself just how much this secret tradition has shaped your world. You will find reams of facts, endless opinions, bewildering hocus-pocus, crass commercialism, and a long word-list of newer occultisms that will truly make your head spin. The hard part is trying to figure out how much of anything you read is true so that you can make up your own mind. Try not to get lost, as just about everyone I read does,

in attempting to make sense out of six odd millennia of complex mysticism. Like an onion, it’s much the same thing, layer after layer…You may also wish to check out the works of other Renaissance age artists for similar “deep secrets”…so what if the exclusive Priory of Sion suddenly needs a larger place to meet!…You see, Leonardo had

no need to be a Grand Master knight with a secret text in order to encode his message… He just needed to be a Renaissance Hermeticist…. In fact, looking at his work appears to indicate that Leonardo was a pro-John the Baptist hermetic rather than a pro-Mary Magdalene hermetic. This group believes that John got a raw deal, having been supplanted by Jesus. Take another look at the sketch with St. Anne. Is the infant Jesus caressing the infant John under the chin while blessing him, or stiff-arming him while clinging to the incredibly powerful arm of the mysterious angel, the one with the hand pointing up? This type of paradox is the essence of hermetic symbolism; does it mean this, or does it mean that? Those with no sense of humor need not apply… and to be sure it was never more cleverly practiced than by the incomparable Leonardo da Vinci!… I can only hope this has been illuminating, a glimpse down some of history’s dimmer corridors…As far as logically evaluating this all-for-one hermetic explanation, it appeals to the principle of parsimony since it requires no sea faring deus ex machina or arcane missing pieces of evidence…It’s simply obvious from what we have always known but have ignored, and what we have always looked at but refused to see …It’s prospects, however, must be rated as commercially disappointing….I am, nevertheless, hoping for the day when Hermes can enjoy his own National Geographic Special….the professor might just be watching too.

 

Affectionately,

Professor Nemo              

                            ________________________________________

 

      

 

You may wish to comment, remembering that Professor Nemo has always tried to be conscientious about reading what is put before him, but understanding also that the Prof. has always been an atrocious pen pal. Feel free to suggest topics that you think might benefit from future conversations. This blog, while copyrighted is open to be quoted or reproduced in full other than for profit. Thanks for stopping by!   

Professor Nemo Rides Again

Professor Nemo Rides Again

Originally Posted on February 20, 2006

A CONVERSATION WITH PROFESSOR NEMO”: 

Q: Why did Leonardo da Vinci depict the Apostle John in his The Last Supper as feminine? Is Dan Brown right in suggesting in The Da Vinci Code that it represents a wifely Mary Magdalene? And why do we see so many of Leonardo’s art figures pointing up? 

A: The figure that Leonardo da Vinci depicts in his Last Supper is neither John the Apostle norMary Magdalene, but a typical androgyne representation of a mysterious character revered for eons and fully conceptualized long before Mary Magdalene ever drew breath… We simply need to take a closer look at the same secret Hermetic/Gnostic traditions that have gotten so much attention recently from this very controversy. Of these two related traditions, Hermeticism is particularly ignored or only poorly understood today although it pervades our culture through and through. It can, however, quickly and easily explain Leonardo’s substitution. 

Q: Why would Leonardo want to substitute a totally different character? 

A: Many in the Renaissance movement loved science, sought knowledge and were repelled by the corrupt, luxurious, ignorant and highly inquisitorial churchmen of their day. The Hermeticist dreams nostalgically of a mythic golden age of peace, wisdom and technological wonders in a lost ancient past. It might be called Atlantis, Lemuria, Shamballa, or just the Golden Age. The movement has always been shrouded in secrecy and has used coded symbols when necessary to protest against hostile powers-that-be. 

Q:  But didn’t working for the Church represent Leonardo’s livelihood and pay his bills? 

A:  Yes, but like other great artists, Leonardo worked at servant status, often for a wealthy patron, and he had to put up with plenty of b.s. from a religious overseer that he did not respect and delighted in bearding with hidden jabs. 

Q:  How did he do that without being found out? 

A:  He used code in his art that only like-minded Hermeticists would recognize, and he’s gotten away with it for centuries!  That same feminine angel so sharply counterpoised in a V shape as if in protest against the figure of Jesus in The Last Supper can be seen elsewhere as well. Look carefully, for example, at St. Anne in Leonardo’s sketch                                         (cartoon) for St. Anne with the Virgin and Child and the Infant St. John. (Very few reproductions do it justice)… She has a startling wide-eyed face, and a very knowing, almost, wicked smile. It’s hardly surprising that this sketch is among the designs that were never completed…. It is his best, most detailed, and least “restored” representation of the inner nature of the Hermetic Angel, and it would be truly astounding in oils or if skillfully digitized… Contrast St. Anne’s face with the profound innocence depicted in the same sketch on the face of her daughter, the Virgin Mary… St. Anne also resembles

Leonardo’s own facial proportions, foreshortened since she is facing down, with a more projecting (masculinized) brow and forehead, a wider chin and deep set almond eyes…more stunningly handsome than conventionally pretty… and, oh yes…like certain other figures in Renaissance art, and most particularly those of Leonardo, St. Anne points upwards!…and most provocatively at that!  

Q:  So? 

A:  As with Leonardo’s John the Baptist, another figure sometimes blurred into the Hermetic Angel…and check out The Last Supper itself…pointing upward is code for the great and universal Hermetic motto: “ As above, so below”… Raphael has the whole phrase depicted in the very center of his The School of Athens where Plato (painted with

Leonardo’s face) points up and Aristotle gestures down. This has always been explained as a philosophical statement contrasting their viewpoints…but it’s also a really neat way to emblazon the Hermetic motto on a Vatican wall!…and with the correct attribution as well! As you will see, the “either or” plausible deniability tells the whole story of this secret code. 

Q:  Is there any proof that links these Renaissance figures pointing upward with the Hermetic tradition? 

A:  Just take a look at Giovanni da Bologna’s bronze of the Roman god Mercury… If you don’t have an art history handy you might remember seeing him as a table decoration in your favorite Italian restaurant…or as the trademark of a popular florist network. He holds the caduceus, that mysterious serpent  (or serpents) on a stick that has always represented healing. Moses made one and healed with it … Don’t look at me that way… it’s in Numbers. 21: 8-9… Now tell me, what do you notice about the statue of Mercury? 

Q:  He’s pointing to the sky.  But what’s so special about the Roman god Mercury? 

A: Mercury to the Romans was the same god as Hermes in the older Greek mythology. This figure is often depicted pointing up (cf. Botticelli’s Primavera). With so much evidence at hand, perhaps you would agree that what is frequently referred to as the “John gesture” is in fact the Hermes gesture!… Hermeticism is a vast topic and can’t be summarized in just a few words, but its effects on world culture from early times until today are well documented and deserve more attention than they get. One practical outcome is the modern science of chemistry following the work of generations of alchemists. Culturally, they enriched several languages with Arabic word-forms such as alkali, alcohol, and even alchemy itself. Their distinctive red, white, and blue color scheme symbolized stages in the death and rebirth mystery that they read into the “chemical marriage” of various elements such as mercury and sulfur into a succession of compounds with predictable colors. 

Q:  Chemistry…okay, but how do we get into da Vinci’s art? 

A: During the darkest part of the medieval period, Arab scholars were preserving and elaborating upon ancient classical texts of all kinds. Science reentered Christendom as philosophia…literally, the love of wisdom, and as you can see from the chemistry example, it was very different from the mechanistic science of today. From the Middle Ages until the French Revolution, all who dabbled in science dabbled perforce in Hermetic mysticism as well. Hence, it is easy to include the great early scientists among the brotherhood, regardless of their true beliefs. Hermeticism as an intellectual movement hit the Renaissance early on and like a ton of bricks. In poetic terms, I suppose Hermes was the angel of the rebirth of classicism and the dawn of science. However, this updated Hermes was an enhanced version of the familiar messenger of the gods… He had morphed into the occult superstar, Hermes Trismegistus  (or the thrice greatest, since he knew the magic of numbers…of the stars…and of medicine). He was a fusion of the old Greek Hermes with his ancient Egyptian counterpart Toth. He had also gained an adversarial relationship with the God of the Bible through the influence of Gnosticism, an early Christian heresy with—guess what?—“secret knowledge”…and his cult had absorbed the mysticism and numerology of the Jewish Kabbalah. Among Renaissance occultists, Hermes Trismegistus was believed to have been a contemporary of Moses…. So you see, Hermes3 was truly a god for all seasons, and now in the Christian era, his relationship with Jehovah resembled that of the Titan Prometheus with the Olympian Zeus… You will recall that Prometheus stole fire from Zeus to give to man… Melville’s Captain Ahab is an archetypal Hermetic protagonist with significant Zoroastrian symbolism cleverly woven throughout the story. Ahab, named for a wicked and idolatrous king of Israel, is consumed with resentment for the unstoppable majesty of his lofty adversary, Moby Dick, the great white whale…. and Melville knew exactly what he was trying to say…. You heard some of Ahab’s shrillest lines in Star Trek: The Wrath of Kahn. 

Q:  Literary appreciation?  Let’s move on.  But I did see Prometheus at Rockefeller Center when I visited New York City last year. 

A:  Yes… That’s Prometheus at the famous landmark skating rink. How appropriate for the Fire Bringer to sprawl before the mighty RCA Building, a beacon of the dawn of electronic communications technology. There would be no modern technology without the gift of fire that enabled our ancestors to smelt metals. To Hermeticists, fire can represent “enlightenment” of all kinds, including Sophia, that all-encompassing Greek personification of knowledge and wisdom. Hermetic-style benefactors are always very clever and knowledgeable, moderns would probably count them as humanists who proffer illumination and technological benefits in order to gain influence… During the Italian Renaissance, men like Leonardo da Vinci sensed in their bones that narrow-minded medievalism could not compare with the ages that left those lovely Roman ruins. Such men yearned to emulate their own revered pagan ancestral tradition, and Hermeticism has always represented, as it does to this day, the enduring embodiment of man’s primordial religious impulse with its quest for power over nature and self through mystic rites, secret knowledge, and magic. 

Q:  Professor Nemo seems to be getting back on track.  Is there more? 

A:  Indeed… The Renaissance fell in love with ancient pagan culture in its quest for knowledge, and that, my friend, was a big no-no!… Hermeticists amongst the arty crowd took out their peevishness by sneaking messages even into religious art through symbols and figures that were stalking horses for their hero. But don’t look for this in their writings or discourses…it would have been playing with fire, literally…inviting an appointment to be burnt alive at the stake. That’s exactly what happened to the scientist, philosopher and slightly careless Hermetic luminary, Giordano Bruno. 

Q:  But why the substitution of feminine figures for characters who were clearly understood to be men? 

A:  Hermes is more than just a hero, he is immortal, angelic in nature and distinctly gender-bending…as is his son Hermaphroditus, whose dual nature may have blended back as an additional halo effect that might appeal to the artistic imagination… Angels are often depicted as beautiful women…among these, let’s not leave out the divinely feminine Sophia, Hermes’ Gnostic alter ego. Hermes is also the cosmic jokester, the Till Eulenspeigel of the gods, full of tricks and hoaxes. So Hermes can quite appropriately appear as an almost male John the Baptist…the subject of an important branch of the

cult… pointing upward, as I mentioned, in Leonardo’s representation, and looking like dead ringer for Leonardo’s androgyne Angel in the Flesh (who, you might notice, is pointing up as well)… Hermes might also appear as a more or less feminine archangel which was pretty safe to portray, or as any other man or woman such as St. Anne…or as the stealth intrusion of a feminized Hermes in place of John the Apostle…seated most importantly at the right hand of Jesus in The Last Supper, and lunging away so very pointedly and uncharacteristically of John…like a similarly charged object in an electric field!…and by the way that whole painting is an electric field!…and a mine field

of messages… Among these, the feminization of John in itself plus his body language provide the clue that another Hermeticist would quickly spot and understand. If any doubt remains, there is an in your face hand pointing up like a Hermetic signpost on the other side of Jesus… Can you also see an extremely awkward sign of the conflict between the Hermetic Angel and the Church, represented, of course, by St. Peter?… And to think that legions of art teachers have extolled the “perfect” design of arguably the most hacked up true masterpiece ever created… Ah, the genius of Leonardo!… And while we’re on the gender thing, let’s also check out Donatello’s bronze David.  It’s simply a much more feminine form of  the same speedy delivery florist guy (Mercury/Hermes) we just saw. And remember, there is not the slightest need for transparency or consistency in any of this because it’s all a big fat secret, and something of a sneering joke as well… Get it? 

Q:  Yes, I see where you’ve been trying to go.  It’s a case of I know something you don’t know. Now clear up this motto business, “As above, so below.” What does it mean? 

A:  Frankly…Professor Nemo doesn’t have a clue. The motto is purposely cryptic of course…but I think it means whatever you want it to, and plenty of conventional definitions exist which you can easily find on your own. The Prof. is not a Hermeticist, but just reporting in a …you know…fair and balanced way. 

Q:  Aw, come on.  Don’t leave us here.  What do you think it means? 

A:  Well… It certainly sounds like “Thy will be done on earth as it is in Heaven” doesn’t it? But then again it could mean…everything they have up there we should have down here as well…or perhaps it means with enough “enlightenment” we could make our own Heaven…. Come to think of it, that interpretation sounds a lot like John Lennon’s Imagine…it’s certainly an anthem for his personal vision of a purely man-made utopia. 

Q:  It sounds as if there are many Hermeticisms.  Do they at least share a similar origin? 

A:  Hard to tell. Perhaps the various manifestations of the daring benefactor theme had their debut as the deification of some early hero, perhaps the legendary Nimrod, Noah’s great grandson. According to plenty of tradition, Nimrod founded human civilization in the area that was to become Babylon. He might have been seen as the one who inspired those who built the tower of Babel, perhaps in the imagination of his day to storm the heavens. Pagan cultures seem to turn all their old heroes into gods, then divide them into more gods and even recombine them into new gods. I think one day someone will discover that the root of Babylonian paganism influenced a truly amazing number of the world’s prehistoric religions. That’s why the sun god Bel, traceable all the way back to the Sumerian era, was also worshipped by the ancient Irish on May Day at the Beltane (Bel’s fire). Similarly, there is no shortage of Hermes clones amongst the ancient mythologies…they pop up in the strangest places. But you can’t safely ask most historians how this happened, since they seem to detest blurry edges … By the way, the obelisk, which also points to the sky, is a symbol for Hermes which evolved from far less subtle phallic boundary stones called herms. He’d be pleased to see himself and his estimable prowess honored in so many truly grand locations!  

Q:  I’m still looking for a way to pull this together. Can you tie it up neatly? 

A:  As I mentioned before, these gods, who have been called by many names at different times and places, are all associated with fire or light, which typically has a metaphoric association with knowledge or illuminating wisdom, including all areas of science and technology which were magical arts. Like Sophia, the enlightening god of Gnosticism, Hermes is an androgyne…in fact, there is so much overlap between the two movements that we might as well consider them inseparable. Today, Gnosticism gets all the attention, but leaving out Hermeticism is like throwing away half of the puzzle pieces. One Hermes or another appears at various crossroads of ancient history, for example at the dawn of the high Egyptian Civilization. Much like the mysterious brain-boosting Black Slab in Stanley Kubrick’s movie 2001, these figures always herald a new era of awareness and technological advancement. They also seem to have a particular interest in intervening in the fortunes of men… Amongst such, we certainly must include the Angel of Light who morphed into the Serpent of Genesis. Moses is credited with writing Genesis…and as a prince of Egypt, he would have certainly been an adept of the Hermetic mystery schools of his day… The Serpent offered unauthorized knowledge to Eve, and the result may represent a biblical judgment on the Hermetic tradition as a whole… After all, knowledge often comes at a price. Adam and Eve appear to have found that out. Most people today would probably agree that we’d be better off knowing nothing of atomic bombs, or even those hollow snacks we eat out of cellophane wrappers. 

Q:  Wait a minute.  Let’s back up.  Are you trying to tell me that Leonardo was a Devil worshipper?! 

A:  I have no reason to believe that he was. Being frustrated at religion’s failings is not the same as rejecting God, although we all know people who have had bad experiences with religion and end up blaming God for the failings of man. Devil worshippers, such as some modern Satanists, admire evil. Hermeticists, on the other hand, revere a bringer of knowledge and try to discover hidden wisdom. They seek to prosper and make things generally better while perfecting themselves in the process by overcoming wickedness and ignorance. They often worship God as well, simply mixing in a bit of occultism with it and not seeing any contradiction. Leonardo was clearly spiritual but kept his deepest thoughts to himself. He was also whimsical and could enjoy being mischievous. It’s hard to tell when that kind of genius is just having fun!… Hermeticisms today are heirs to many ancient initiatic cults and mysteries, but are often so low-profile or diluted that you might live your whole life associating with one without understanding anything about its origins or secret doctrines… To traditional Christians, they might appear naively deceived as were Adam and Eve. I’m forced to jump in and out of matters of faith here, but it’s the patterns behind the whole story that I’m trying to get at in the most familiar terms at hand. 

Q: How does the secret Templar cult get into all of this? 

A:  The historically well-known but shadowy Templar cult referenced in The Da Vinci Code is Hermetic/Gnostic through and through, and in all its forms, whether old or freshly minted. It’s another outfit with—here we go again—big secrets. However, the notion that these knights unearthed proof of Mary Magdalene’s purportedly “holy blood” offspring founding the family that eventually became the long-haired Merovingian dynasty is quite a stretch… Yet, it’s exactly what Gnostic proponents of the Magdalene cult throughout the last two thousand years would have done just about anything to be able to put across. It’s also what the Da Vinci Code movement is really all about today. This controversy itself has opened a fresh chapter in the movement. It should hence probably be called neo-Hermeticism or new millennium Gnosticism or something like that… Incidentally, it really boosts the notion that a fabulous world leader with amazing powers…perhaps a bit like Neo, the chosen one of The Matrix… might arise from the royal blood of Europe, claiming to be from Jesse through King David and Jesus…an impressive set of credentials to be sure!  But wait a minute…might he not be another impostor like one of Leonardo’s mercurial changelings? If the pattern holds, he would claim to be from the king producing Tribe of Judah, while more likely being descended from the irretrievably lost Tribe of Dan…if we take some hints from biblical clues, as do some prophetically-minded and literalist Christian opponents of the Mary Magdalene “holy” bloodline.  

Q:  You’re beginning to lose me again. Can you throw me a rope here? 

A:  Sorry…too large and fuzzy a topic to squeeze in. However, it may have happened once before…as before, so again!  Oh well… This is going to be a fast and wild ride…are you ready? The false apostle Judah Ish (man) Kerioth (from Kirjath Jearim) was apparently born in the one town in Judah that the Tribe of Dan was permitted to camp behind on their way north to their new home at the top of Israel and subsequently out of the Promised Land altogether. It is tempting to speculate that Judas Iscariot may have represented a wild oat y-chromosome going back through Dan and sown there generations before. Samson is the great hero from the Tribe of Dan, which never forgot

the magical power of unshorn hair or about  Samson’s  Riddle of the Bees, even after they forgot about the God of their fathers. Jacob referred prophetically to his son Dan as a “serpent by the way”. 

Q: Is that as ominous as it sounds? 

A: Possibly…but there’s also a less obvious additional understanding of this term as a bringer of knowledge who is “wise as serpents”…in other words, a potential culture builder. Dan’s progeny disappear even in Old Testament times, and just try to find a

single Dannite among the 144,000 person tribal restoration mentioned in the Book of Revelation. Some believe that the idolatrous, and seafaring Tribe of Dan, which

blended into the Phoenicians and liked to name places after their illustrious forefather, gradually proceeded across the DarDANnelles to the DANube, proliferating and

spreading along the ancient routes of Europe. Remember that before organized farming, the relatively sparse populations of Europe were largely scattered bands, often roaming about in search of food and subject to various depopulating hazards. Merchants and traders must have had an edge, even with dangerous peoples. Think of the great explorers like Captain James Cook. The Dannites would have been wealthy, sophisticated, and battle-hardened. They could have mingled with and eventually dominated other cultures, perhaps as the Normans did much later in Britain. Tantalizing snippets of history also seem to link the sons of Dan with the Spartans, who as warriors often did not cut their well coiffed hair or their beards and apparently claimed descent from Abraham. Dannites are also reputed to have founded some royal dynasties in Europe and the British Isles… 

Q: You’re right about one thing—this is pretty fuzzy stuff.  Are you going somewhere with all this?

A: Just waiting for you to ask!…Those who subscribe to the DaVinci Code premise may claim that the Merovingians, who did not cut their hair, etc., were holy Nazarites, i.e. strictly consecrated Jews, a hilariously Hermetic-style canard for these self-proclaimed sons of Odin who had to be coaxed toward monotheism…(Gnostic Nasoreans perhaps, definitely not Nazarites!  But that’s another matter…) Nevertheless, a quite respectable medieval scholarly tradition links Odin, or WoDAN, with important flesh and blood refugees from the region of Troy (as in Timeo DANaos et dona ferentes. I fear the Greeks [i.e. the Danaen Spartans] even when they bring gifts). These travelers from the east (from the region of Troy, which is now part of Turkey became the Aesir gods of Norse Mythology i.e. those from Asia. They included the fatherly warrior Odin, also known as the full-bearded World Wanderer, and another curious import as well, a charmingly familiar, shape-changing trickster, the fire god, Loki… So, were the Merovingian kings, one of whom was named Samson, simply into grunge or perhaps emulating, by long clouded tradition, the one great, if seriously flawed, cult hero of their irrepressible, culture-building forefathers, the hirsute Samson himself, a true Nazarite and a son O’Dan, whose representatives had been formidable and had come from the sea…. 

Q: So you’re saying that we can actually see the process that turns a cult hero into a legend, and a legend into a god, and a god into a “holy dynasty” with divine rights?  

A: Ah…that’s for you to decide. Did cultural memories of the heroic Samson of the lost Hebrew Tribe of Dan inspire the Spartans of the Peloponnesus? Might Samson also have been memorialized as the mythic Dardanus of the Trojans…hence proceeding on to other glories, and ultimately to Valhalla?… As you can see, it’s possible, if you favor this explanation, to think of the Trojan War as a Dannite family feud! What we know for sure is that the Hebrew and Greek alphabets certainly do match up beautifully, although historians do their best to make it sound insignificant…. Now there’s a counterpoint to the DaVinci Code that’s just about as radical…but please remember, the hypothetical Dannite lineage for the Merovingian kings, which I’ve barely touched upon here, is only intended to offer one alternative to the even more tenuous Merovingian “holy blood” claim, somehow involving an amorous gill breather!…and to show how easy it is to weave a great story from very few facts. 

Q: That is quite a story. Did you make the whole thing up or are the lost Dannites simply a missing chapter of history? 

A: Oh, they were very real, definitely went somewhere, and blended into the scenery like the kid book figure Waldo.  Professor Nemo does find this theory particularly intriguing, however, because the presumptive Dannite wanderings begin from the same Phoenician environs to be made so occultically famous by King Hiram of Tyre. These peregrinations and many of their details are certainly evocative of the Templar/Masonic allegories. This might also strengthen the argument that Gnosticism, like Hermeticism goes far into the pre-Christian past, and that it flourished in ancient Greece, that elegant melting pot of math and mysteries, where the spiritual traditions of Babylon, Persia, and Egypt were resifted and amalgamated in the white hot intellectual crucible of the classical era. It is also in Greece and subsequently in Rome that we can sense the light and heat of a novel transmutation, a chemical marriage with desert monotheism, crystallizing over many centuries into the complex enlightenments of our modern world!… Professor Nemo tries his best to point out many things that others may not; after that, you’re on your own. Remember, this is all about Hermeticism…so it should contain signs and symbols that are hidden in plain sight, suggest pathways for the mind beyond any that it reveals, and speak to such as have ears to hear… But enough!  Let’s leave the delightful realm of speculation and return to the totally historical Hermes cult of the Italian Renaissance! 

Q:  My head is spinning.  I’m almost sorry I asked.  I was happier at the beginning when I thought you were going to talk about expensive handbags.  Just tell me about the Big Secret.  Did this cryptic Hermes crowd know anything that we don’t?—and let’s cut to the chase. 

A:  Science has far surpassed all the secret technologies, despite the stuff you hear on all-night radio. The Hermetic Tradition is obsolete in the sense of true knowledge or unknown wisdom, but it gave inquiry quite a boost. It still influences various religious groups and has greatly influenced world culture. Like many spiritualist movements, it often introduces itself with familiar philosophical platitudes enveloped in a froth of very grand and mystical verbiage. Hermetic cults have always told their initiates that there’s a big secret awaiting them, but they keep the initiate toiling so long to be worthy that they never really have to deliver… You must remember, even when revered, Hermes can’t help being a little tricky and perverse. If the big secret, as I suspect, is that Hermetics are not exactly on board with traditional Judaic or Judeo-Christian beliefs…I think this has been no secret for quite some time… Nor is it any secret that Hermeticism has been able to attract many of the most brilliant minds…like that of Leonardo…minds that can think inductively, intuitively, creatively. Such minds have danced circles around their plodding adversaries throughout the past…and appear to be doing just fine today. It’s so much easier to consign brilliant radical thinkers to the flames than to mount an intelligent response when you can’t quite seem to connect the dots… But if you look a little closer at this present tidy plot, a child of six ..as they say…can see that every element of  the DaVinci Code premise has a profound Hermetic/Gnostic linkup, from coded Renaissance art to the Templar cult, to the Gnostic writings and the various legends they may have spawned. If we are observant, the hidden Hermes unmasks himself behind every episode, just like the furtive mastermind who appears as Doctor Miracle in Offenbach’s opera, The Tales of Hoffman. 

Q:  Does that make The DaVinci Code a bad story? 

A:  No!.. It’s great for the story, just questionable for the premise. When all elements in a belief arise out of the same stew, so to speak, we may suspect a certain conspiratorial circularity, perhaps with Hermes somewhere in the details!… The revelations that one generation of believers discovers may have been planted for them by their predecessors.

For example, early French Gnostics, feeling the way they did about traditional Christianity and venerating Mary Magdalene, might easily have claimed that her child, real or invented, was “special” and had been amongst them. This will always remain a matter of belief, since it is beyond proof either way. There is also a claim that Joseph of Arimathea brought the Holy Grail to the British Isles, only there it was a cup. In fact, we have a surplus of grail contenders, although it’s obvious that the French label is the one that stuck. There were also enough pieces of the True Cross for sale in the Middle Ages to rebuild Noah’s Ark. There is even a current hypothesis that the famous Shroud of

Turin was an early photography experiment by, and possibly even a self-portrait of— guess who?—our old friend Leonardo. Did we mention that he knew something about chemistry?… He studied light-sensitive compounds of silver….fascinating! 

Q:  Why do I get the feeling that Professor Nemo is not quite ready to join in the stampede? 

A:  Simply because at this distance the proof that a Mary Magdalene holy bloodline must turn upon can never be produced outside of direct testimony from Jesus, and is not even a part of the larger context. If the early Church did indeed downplay the well evidenced importance of Mary Magdalene to the Christian movement…or even if it revised the Jewish cultural norm of Jesus possibly being a married person, this may well have been a desperate attempt to counter the pervasive Gnostic influences of its spiritual environment. If so, it’s all part of that same turbid stew… To whatever extent the early Gnostics were thinking Hermetically, they would have been looking for alternate spiritual figures and incorporating them into their spiritual writings. Later, similarly minded Gnostic groups would have a ready-made “secret gospel truth” to show their recruits during the Renaissance… There have been as many wildly differing ancient religious accounts as there were biases, and conspiracy theories raged in the past just as they do today. We tend to forget that ancient does not necessarily mean true, and that there is no view without point of view… The human hunger for spiritual power and fulfillment is truly boundless and has always provided a good livelihood for those inclined to take advantage of it. That’s precisely why we must never permit faith of any flavor to become a mask for ignorance. Choice is only that when we know exactly what we are choosing… Most importantly, the promise of  “secret proof” in matters of faith is, logically speaking, an inanity and the stuff of hoaxes, since faith and proof are contradictory concepts. It would be like jumping into a swimming pool blindfolded, simply because someone tells you that it has been filled with water… But isn’t that exactly what mystery cults are really all about?… You can also be quite sure that any secret text in France that promoted Gnosticism would have surfaced in the wake of the fierce anticlericalism of the French Revolution… The most compelling evidence we have at hand is that of Jesus’ own sayings from all available sources. Nothing anywhere indicates a desire or anticipation of founding a hereditary dynasty, even though all accounts, including the Gnostic ones, were written well after Jesus’ death…. This is critical because the whole biblical tradition is based on the foretelling of all major events, and Jesus referenced prior messianic prophecies continually. 

Q:  So, is that it? 

A:  It is for me. I’ve made sure to leave plenty of loose ends for you to check out on your own so you can see for yourself just how much this secret tradition has shaped your world. You will find reams of facts, endless opinions, bewildering hocus-pocus, crass commercialism, and a long word-list of newer occultisms that will truly make your head spin. The hard part is trying to figure out how much of anything you read is true so that you can make up your own mind. Try not to get lost, as many do, in attempting to make sense out of six odd millennia of complex mysticism. Like an onion, it’s much the same thing, layer after layer…You may also wish to check out the works of other Renaissance age artists for similar “deep secrets”…so what if the exclusive Priory of Sion suddenly needs a larger place to meet!… You see, Leonardo had no need to be a Grand Master knight with a secret text in order to encode his message… He just needed to be a Renaissance Hermeticist….  In fact, looking at his work strongly indicates that Leonardo was pro-John the Baptist rather than a pro-Mary Magdalene. This Hermetic-style Gnostic cult, known as Johannites, to which Leonardo is rumored to have belonged and which is also closely linked to the Knights Templar, apparently goes all the way back to the Mandaeans of the Middle East, a group with “secret knowledge.” Johannites believe that John (High King of Light) got a raw deal, having been supplanted by Jesus, who also perverted his teachings. From this religious perspective, Hermes and John the Baptist may very easily become intermingled as mutual opponents of Jesus. 

Q: Are you trying to say that we should look for signs of conflict between John the Baptist and Jesus portrayed in Leonardo’s work? 

A: Take another look at the sketch with St. Anne, recalling that psychologists have amply demonstrated that our minds tend to see what we permit them to see. Is the infant Jesus caressing the infant John under the chin while blessing him? Or is Jesus stiff-arming the

young John the Baptist while clutching the incredibly powerful arm of the mysterious angel, the one with the huge hand pointing up? (Notice also that a female figure plus Hermes always becomes more male.)… This type of paradox is the essence of Hermetic symbolism in Renaissance art; do we see this, or do we see that?  Is Jesus piously blessing…or boldly seizing the reins of power?  The artist had a robust sense of humor and so should we, as well as an awareness that visual ambiguity was never more cleverly manipulated than by the incomparable Leonardo da Vinci… In fact, he still can bamboozle to this day. If you think that rugged ol’ John the Baptist at the high point of his career should look like the Angel in the Flesh, just because of some artsy Renaissance canon that Leonardo used to explain away his obsession for sneaking in an androgyne Hermes wherever possible…then congratulations, you’ve been hoodwinked by the best!… I can only hope this has been illuminating, a glimpse down some of history’s dimmer corridors… As far as logically evaluating this all-for-one Hermetic explanation, it appeals to the principle of parsimony since it requires no seafaring deus ex machina or arcane missing pieces of evidence… It’s simply obvious from what we have always known but have ignored, and what we have always looked at but refused to see… It’s prospects, however, must be rated as commercially disappointing… I am, nevertheless, hoping for the day when Hermes can enjoy his own National Geographic Special… The Professor might just be watching too. 

Affectionately,

Professor Nemo               

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You may wish to comment, remembering that Professor Nemo has always tried to be conscientious about reading what is put before him, but understanding also that the Prof. has always been an atrocious pen pal. Feel free to suggest topics or questions that you think might benefit from future conversations. This text, while copyrighted is open to be quoted or reproduced in full other than for profit. It was first published on the Web at MENTAL KUDZU on 9/11/2005, and revised 9/27/2005. This edition is dated 11/7/05. Thanks for stopping by!